The inclusion of explicit sex scenes is often the distinguishing factor, one publishing source told me, between mass-market and literary fiction. Lee recalls a a graduate of the famed Iowa Writer’s Workshop opining that “when you’re writing literary fiction, you can write sex, but you shouldn’t have any emotion attached, because once you start attaching emotion, then it becomes more like romance,” she said. “I’m sure a man came up with that.” There is still a certain intangible value accorded to popular fiction by men and traditionally aimed at men—sci-fi, mystery, horror, thrillers—that eludes the romance genre. The ability to scare the reader or grip them in suspense is a skill, but, as Lee’s book demonstrates, so is the ability to turn them on.
“Everyone’s husband got laid the month they read my book,” Lee laughs—including hers. “I felt like I was having this affair in my head,” she said. “I’d finish a scene and run into the bedroom.”
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